'I also practice the art of beholding, taking some time before I even pick up the camera to hold a landscape, space or a subject in my gaze. Beholding has a still, slow and spacious quality to it, where vision becomes softer. It releases expectations of what you think you will see and instead you can receive what is actually in front of you.'Read More
'I consider myself a documentary photographer and I'm shooting what I think is important. I think people will interpret an image the way they see life. It's all subjective and it's not really important to label the work. It's important for me to follow my instincts in choosing the subject and the moment to shoot.'
'I enjoy the challenges. I look at every photograph as an obstacle, and I focus as intently as I can on making it as perfect as I can, whether it's photographing an athlete or sticks in water. Every day with the camera is different, so my work is never repetitive.'Read More
'My earliest desire to be a photographer was caused by an astonishing scene I witnessed as a child during a visit to my grandparents, in one of the spring holidays. A unique landscape where elements of Winter and Spring seemed to merge and create in my mind a sort of "living" painting, which I couldn’t preserve but rather I kept in my heart and mind. 'Read More